Briar Rose Essays - Briar Rose, Sleeping Beauty, Becca, Fairy Tale

Briar Rose Essays - Briar Rose, Sleeping Beauty, Becca, Fairy Tale Briar Rose In a nutshell: Briar Rose is the story of the Holocaust intertwined with the fairy tale of Sleeping Beauty. The story begins with the death of the "Gemma," the grandmother of Becca. Through out Becca?s life Gemma told the story of Sleeping Beauty many times to her. Now, however, after making a promise to her grandmother, to find her past, the once insignificant fairy tale might be a clue to her actual past. Before her grandmother's death Becca had vowed to fulfill her grandmothers promise, which was to rediscover her origin. After the grandmother's death, Becca became intrigued in what she had found in a box Gemma left behind. In the box there were only vague clues about Gemma?s past. Drawn to the mystery of her grandmothers past, Becca continued to search for clues. After finding out what could be a lead to Gemma?s past, Becca decides to go to Poland were everything began. Once in Poland Becca tries to solve the mystery. When Becca goes to Joseph Potocki, a once close friend of Gemma, this is all answered There in Joseph Potocki's house Becca finds the shocking conclusion to her grandmother's past. Gemma's fairy tales were not all so make believe in the end. The story Joseph told was shocking. Gemma's past was darker than Becca thought. As Joseph told his story, Becca began to realize not only the significance of the story; but also what Gemma actually went through. The story explained Joseph?s and Gemma?s escape from the Holocaust. Joseph goes on to explain how he had saved Gemma by bringing her back to life, the escape from the concentration camps, and finally, freedom. After finding the truth Becca returns home content, knowing she has fulfilled her vow. What's so special: The book has a rich and intriguing story line. It uses the fairy tale of Sleeping Beauty intertwined with the Holocaust to make an all most life like story, that keeps you reading for more. The book is set-up with two stories, both being told side by side, with one exception: Becca's retelling of Joseph's story. One story retells certain memories Becca had with her grandmother, and the second story is about what is presently going on in Becca's life. Should I care: This is certainly one book to look into. Using two stories intertwined, the book is intriguing and makes you read for more. It's one book you won't want to put down until you're done.

What Is Stockholm Syndrome Is It Real

What Is Stockholm Syndrome Is It Real SAT / ACT Prep Online Guides and Tips If you’re studying for your AP Psychology exam, you’ve probably stumbled across the term â€Å"Stockholm Syndrome.† But what is Stockholm Syndrome, exactly? As it turns out, Stockholm Syndrome is a complicated diagnosis that is still surrounded in quite a bit of controversy. In this guide, we’ll teach you everything you need to know about Stockholm Syndrome, and we’ll answer the following frequently asked questions: What is Stockholm Syndrome? Where does it come from? What causes Stockholm Syndrome, and what are its symptoms? Is Stockholm Syndrome a real diagnosis? At the end of this article, we’ll wrap things up with an in-depth look at two real-life cases of Stockholm Syndrome. (You’ll want to stick around until the end...those cases are really interesting.) Ready? Then let’s jump in! What Is Stockholm Syndrome? Stockholm Syndrome- which is also sometimes called â€Å"trauma bonding† or â€Å"terror bonding†- is defined as the â€Å"psychological tendency of a hostage to bond with, identify with, or sympathize with his or her captor.† In other words, Stockholm Syndrome occurs when someone who is held against their will starts to have positive feelings toward the person (or group) who is holding them captive. Also, despite being a psychological phenomenon, Stockholm Syndrome isn’t a mental disorder. Instead, it’s classified as a syndrome, which is a condition that’s characterized by a set of symptoms that often occur together. In order to be diagnosed with a syndrome like Stockholm Syndrome, a person has to exhibit most- but not all!- of the major symptoms that are associated with the syndrome itself. The Kreditbanken building in Norrmalmstorg, Sweden The History of Stockholm Syndrome Unlike most syndromes, which are discovered over time as doctors uncover trends in their patients, the origin of Stockholm Syndrome can be traced back to one specific event. On the morning of August 23, 1973, Jan-Erik Olsson- who was already on parole for robbery- walked into Kreditbanken, a bank in Stockholm, Sweden. He opened fire on two Swedish police officers before taking four bank employees hostage. As part of the list of demands he issued to authorities, Olsson asked that Clark Olofsson, one of his friends from prison, be brought to him. (Olofsson would become Olsson’s accomplice in the Kreditbanken hostage situation, and he would go on to rob another bank two years later.) The hostage situation would last six days before police would use tear gas to subdue Olsson and rescue the hostages. The unfolding drama captured the world’s attention. However, over the course of those 130 hours, another strange thing happened: Olsson’s hostages began to feel sympathy for their captor. One hostage, Kristin Ehnmark, told reporters after the ordeal that she and her fellow hostages were more afraid of the police than Olsson. She and her fellow hostages would later tell authorities that they were treated kindly by Olsson, even though he was holding them captive. For instance, Olsson gave his jacket to Kristin when she began to shiver, and when Elizabeth Oldgren- another hostage- became claustrophobic, Olsson allowed her to walk outside of the vault where he was holding everyone hostage.The hostages’ sympathy of Olsson continued on even after their ordeal was over, and some of them even went to visit Olsson in prison! The psychiatrists who treated the victims compared their behavior to the Post-Traumatic Stress Disorder, or PTSD, that they saw in soldiers returning from war. But that diagnosis didn’t quite fit, especially since the Kreditbanken hostage victims felt emotionally indebted to Olsson. They felt that Olsson, not the police, spared them from death, and they were grateful to Olsson for how kind he was to them. This unique set of symptoms led psychiatrists to label this phenomenon â€Å"Stockholm Syndrome,† which is still what we call it today. Nick Youngson/Alpha Stock Images What Causes Stockholm Syndrome? Stockholm Syndrome occurs in people who have been kidnapped or taken hostage and held against their will. It’s common for people to think that someone must be held hostage for a long period of time to develop Stockholm Syndrome, but new research suggests that isn’t true. Experts believe that it’s the intensity of the experience- not the length of it- that’s one of the primary contributors to whether someone will experience Stockholm Syndrome. Additionally, some psychologists believe that Stockholm Syndrome is more likely in situations where the captors don’t physically abuse their hostages. Instead, captors rely on the threat of violence instead. This can be aimed toward the victim, the victim’s families, or even other hostages. If victims believe their captors will carry through on their threats, it makes them more compliant. Additionally, the lack of violence becomes a sign of kindness. In other words, because a captor could- but doesn’t- act on their threats, victims begin to see that as a sign that their captors care about them. This tension creates the defining characteristic of Stockholm Syndrome, where victims start to sympathize with and/or care about their captors. We can definitely see this in the case of the Kreditbanken robbery. Olssen threatened his hostages with physical violence but never carried through. The hostages told the press that they didn’t feel Olssen was a bad person, especially since he didn’t physically mistreat them during the hostage crisis. Circumstances like these can cause victims to think of their captors as essentially nice- or sometimes even good- people who are taking care of them. Cases of Stockholm Syndrome can show evidence of emotional manipulation or abuse, however. In these instances, the captors use emotional tactics to convince victims to sympathize with them and comply with their demands. This can involve convincing victims that the outside world is more dangerous than staying with their captors or persuading victims that the kidnapper is a victim, too.This makes victims feel like they are unable to escape from their situation, which is why people with Stockholm Syndrome stay with their captors. From a psychological perspective, most psychologists and psychiatrists believe that Stockholm Syndrome is, at its core, all about survival instinct. When people are put into extremely dangerous or traumatic situations, they often behave instinctually in order to survive. You’ve probably heard of this phenomenon phrased as â€Å"fight or flight† instinct, where you either run, freeze, or attack when you’re scared. (For the record, we’re runners.) But survival instinct is actually much more complicated than that, especially when it comes to complex trauma. In the case of Stockholm Syndrome, victims become attached to their captors as a way to cope with their situation. This is also a way for victims to try to make their captors sympathize with them, and thus make it less likely for their captors to hurt or kill them. In other words, building an emotional connection becomes a victim’s way to both cope with his/her new reality and, hopefully, to survive. Having said all of this, there’s one last- but important- thing to realize about Stockholm Syndrome: it doesn’t involve any conscious choice on the part of the victim. Here’s what we mean. Say you’ve been kidnapped, and you’re being held against your will. You might decide to be nice to your kidnappers in an attempt to stay alive and, hopefully, escape. In this scenario, you choose to act in a certain way. Stockholm Syndrome, on the other hand, only occurs when the victim starts subconsciously and involuntarily sympathizing with their captor. In these instances, victims don’t have any conscious idea of what they’re doing, and their feelings toward their kidnappers last long after they’ve been freed. What Are the Symptoms of Stockholm Syndrome? At this point, it’s clear that Stockholm Syndrome is situational, which means that it’s something a person develops in a certain set of very traumatic circumstances. (Namely, the victim has been taken hostage by a stranger and is being held captive.) Now let’s take a look at the four major symptoms someone with Stockholm Syndrome experiences. Symptom 1: The Victim Has Positive Feelings Toward the Captor Like we’ve mentioned before, this is the hallmark of Stockholm Syndrome. Despite being in a terrifying situation, someone developing Stockholm Syndrome will start to sympathize, care about, or feel positively about the person (or people) who are holding them hostage. These positive feelings make the victim more likely to comply with their captors’ demands and feel guilty when they don’t. This was certainly true for the hostages in the Kreditbanken robbery. After her release, Kristin Ehnmark- one of the hostages- would tell reporters that she â€Å"felt like a traitor† when she gave the police information behind Olsson’s back. Additionally, these feelings come from a perception that the captors are treating them kindly. Another of the Kreditbanken victims, Sven Safstrà ¶m, remembers his reaction to Olsson’s threats. â€Å"All that comes back to me [now],† he would tell reporters later, â€Å"is how kind I thought [Olsson] was for saying it was just my leg he would shoot.† These perceived acts of kindness make victims feel like their captors are caring for or protecting them, even in a bad situation. This can make victims think of their captors as good people in a bad situation, rather than criminals who are breaking the law. And remember: for the victim, these positive feelings develop subconsciously and is completely outside of their control. This reaction is their instinctual reaction to a dangerous and traumatic situation, and it’s a survival tactic. Symptom 2: The Victim Has Negative Feelings Toward Family, Friends, or Authorities Because the victim is aligning with their captor, victims also begin to adopt their way of thinking. Since the captors are afraid of being caught and prosecuted, the victims often take on the same anxiety as well. Additionally, some kidnappers also convince their victims that they are protecting them from a dangerous world, not the other way around. This was the case in the Kreditbanken case, where the hostages became afraid that the police- not Olsson- were the real threat. In a phone call with Sweden’s Prime Minister, Kristin Ehnmark explained that while she was being treated well, she was afraid â€Å"the police will attack and kill us† instead. Experts explain that the phenomenon of sympathizing with the captor is a type of hypervigilance, where victims believe that the happiness of their captors is critical to their own wellbeing and safety. In other words, when the captor feels happy and safe, the victims are, too. That’s why victims displaying symptoms of Stockholm Syndrome turn on people who threaten the captor-captive relationship, including the authorities. Symptom 3: The Captor Has Positive Feelings Toward the Victim There are two ways this works. In one aspect, the victim perceives that their captor actually cares about them. This has a lot to do with the â€Å"kindness† we mentioned earlier. When captors don’t act on their threats- or when they do small, seemingly nice things for their victims- it can seem like they actually care about the people they’re holding captive. For example, during her time as a hostage in the Kreditbanken robbery, Elizabeth Oldgren was used by Olsson as a human shield. But he also gave her his jacket when she got cold, which Elizabeth saw as a sign of Olsson’s goodness. She would later tell reporters that although she had â€Å"known him a day when I felt his coat around† her, she was also â€Å"sure [Olsson] had always been that way.† Despite Olsson’s threats and posturing, his one act of compassion made Elizabeth think that he cared about her well-being, too. The second way this works is when authorities, like FBI or police negotiators, use tactics to get captors to see their victims as humans. By doing things like asking captors to call their hostages by their first names, the authorities work to humanize the victims. Doing so makes captors less likely to kill their victims because they’re afraid of getting caught, and the FBI trains its members to use this tactic to â€Å"help preserve life.† Symptom 4: The Victim Supports or Helps the Captor The final symptom of Stockholm Syndrome comes when a victim, instead of trying to escape, tries to help their captor rather than the authorities. In this case, the victim is putting the needs of their captor above their own freedom in order to survive. By this point, someone displaying the symptoms of Stockholm Syndrome already believes that their captor might hurt them or people they care about if they don’t comply with their demands. But more importantly, the victim has started to see the world from their captor’s point of view. Helping their captor isn’t something they’re forced to do- people with Stockholm Syndrome do so out of their own free will and their survival instinct. This last symptom can be particularly confusing for authorities, especially when they don’t realize that the victim has Stockholm Syndrome. During the Kreditbanken incident, Kristin Ehnmark was allowed to speak the then-Prime Minister, Olof Palme, on the phone. Not only did she express a distrust of the police, she also demanded that the victims be allowed to escape with Olsson, not from him! To make things more complicated, this symptom can also manifest itself in a desire to help captors even after the victim has been freed. In fact, Kristen and the other victims of the Kreditbanken robbery visited Olsson in prison for years after the incident. Is Stockholm Syndrome the Same Thing as Being in an Abusive Relationship? The short answer? No. Even though many of the causes and symptoms of Stockholm Syndrome sound like the hallmarks of an abusive relationship, there’s one significant difference: Stockholm Syndrome only occurs in situations where a victim doesn’t know their captor. In other words, in order to develop Stockholm Syndrome, a victim must have never met their kidnapper before. Domestic abuse, on the other hand, requires some sort of prior contact. In cases of domestic abuse, the victim and the perpetrator know each other in some way- they’re related, romantically involved, or in some other close relationship. So while abusive relationships and Stockholm Syndrome might share some characteristics, they aren’t the same thing. Is Stockholm Syndrome a Real Diagnosis? Although Stockholm Syndrome has captured public imagination, there is controversy in the medical community about whether it should be classified as its own disorder. Psychologists and psychiatrists use the Diagnostic and Statistical Manual of Mental Disorders, or DSM-5, as the holy grail of psychological diagnoses. It’s the standard diagnostic tool for any and all psychiatric illnesses and disorders...and Stockholm Syndrome doesn’t appear in the DSM-5. That’s the case for a few reasons. First, the symptoms of Stockholm Syndrome are very similar to those of trauma bonding or post-traumatic stress disorder, both of which do appear in the DSM-5. Psychiatrists and psychologists, however, aren’t in agreement about which classification Stockholm Syndrome falls under. Because there’s no extensive body of research or consensus to help solve the argument, Stockholm Syndrome is left out of the DSM-5 entirely. Second, Stockholm Syndrome is incredibly hard to study because it’s so rare. (More on that in a second.) That means it’s hard to come up with a widely accepted metric for diagnosing Stockholm Syndrome since each case is so unique. That makes it nearly impossible to develop a diagnostic rubric for Stockholm Syndrome, which is the DSM-5’s primary purpose. Lastly, Stockholm Syndrome is a syndrome, not a mental disorder or a mental illness. That means that it’s a collection of associated symptoms with no root biological or mental cause. While there are ramifications of Stockholm Syndrome that are similar to post-traumatic stress disorder, the onset of Stockholm Syndrome is situational, not pathological. So that brings us back to our first question: is Stockholm Syndrome a real diagnosis? Yes and no. While Stockholm Syndrome is not a recognized psychological diagnosis of a mental illness or disorder in the DSM-5, it is a clinical way to explain the unique symptoms that some kidnap and hostage victims display. Nick Youngson/Alpha Stock Images Are There Famous Examples of Stockholm Syndrome? Despite being a fairly well-known psychological condition, Stockholm Syndrome in real life is remarkably rare. According to the 2007 FBI Law Enforcement Bulletin, 73 percent of all kidnapping victims show no evidence of Stockholm syndrome whatsoever. Of those victims remaining, fewer than five percent will develop Stockholm syndrome at all. (In contrast, abusive domestic relationships- which share many of the characteristics of Stockholm syndrome- are unfortunately much more common.) So why are people so curious about a syndrome that occurs so rarely? Along with being a fascinating psychological topic, Stockholm Syndrome continues to capture the imagination of the public in movies, television shows, and even music. In fact, it’s such a pervasive topic in pop culture that the syndrome even has its own write-up on TVTropes.com! This preoccupation with Stockholm Syndrome means that when the rare case does occur, it triggers a media frenzy. Let’s take a look at two of cases of Stockholm Syndrome that captured the world’s attention. Patty Hearst after her arrest in 1975 Patty Hearst One of the most famous cases of Stockholm Syndrome is the kidnapping of Patty Hearst. In February 1974, 19-year-old Patty Hearst was kidnapped from her apartment in Berkeley, California by a group calling themselves the Symbionese Liberation Army, or SLA. The SLA was a radical activist group that used tactics like bank robbing, murder, and kidnapping to wage war- both ideological and literal- against the U.S. Government, which they viewed as an oppressive â€Å"capitalist state.† The SLA decided to kidnap Patty Hearst because she was the granddaughter of billionaire newspaper mogul William Randolph Hearst and the heiress to his fortune. The SLA had three goals in kidnapping Patty Hearst. First, they wanted media attention for their anti-capitalist platform (which they definitely received). Second, they wanted to extort money from Patty’s family to fuel their cause. And last, the SLA planned to brainwash Patty into becoming not only a member of the SLA, but the poster child of their movement. Unfortunately, although the Hearst family would meet most of the SLA’s demands- which included donating $8 million dollars to feed the poor- the SLA didn’t release Patty to her family. Patty wouldn’t be seen for two months, and when she did reappear, it was shocking. In April 1974, the SLA robbed Hibernia Bank in San Francisco...and Patty Hearst was one of the robbers. Security footage showed Patty wielding a machine gun and helping in the robbery, looking quite unlike someone who was being held against her will. After the robbery, the SLA released a pre-taped message from Patty herself. In the recording, Patty called herself â€Å"Tania† and claimed that she was now a voluntary member of the SLA movement. The video sparked widespread public debate. Had Patty been brainwashed by the SLA? Or had she orchestrated the kidnapping plot in order to join the organization and extort money from her family? This debate would end up playing out in court. Patty and other members of the SLA were captured by the FBI in September 1975, eight months after Patty’s kidnapping. She was charged with armed robbery along with a handful of other crimes, and her defense team argued that she had Stockholm Syndrome. But that was a hard case to make: the Kreditbanken robbery had happened just two years earlier, and Stockholm Syndrome was still a new idea in the public consciousness. Ultimately, the jury was unconvinced by the defense, and Patty Hearst was still sentenced to seven years in prison. She would serve two years in prison before her sentence was commuted by President Jimmy Carter. Although there is still quite a bit of controversy surrounding the Patty Hearst case, her situation is now regarded as one of the best examples of Stockholm Syndrome outside of the Kreditbanken hostage situation. Jaycee Dugard in 1991 (Family Photo/CNN) Jaycee Dugard The kidnapping of Jaycee Dugard is another famous case of Stockholm Syndrome that became a media sensation. On June 10, 1991, 11-year-old Jaycee Dugard was abducted while walking home after getting off the school bus. Her mother had moved the family to Meyers, California a year earlier because she thought it was a safer place to raise her children, but now her worst fears had been realized. Once people realized that Jaycee was missing, the community leaped into action. Despite a widespread search effort and tons of media coverage- including a feature on America’s Most Wanted- Jaycee Dugard seemed to have disappeared without a trace. Many thought Jaycee was dead, but her mother held out hope that she was still alive.And she was alive, but she was being held against her will in Antioch, California...just three hours away from her childhood home. Jaycee was held captive until 2009, and even then, she was only rescued because her kidnapper made some critical mistakes. Phillip Greg Garrido, who was on parole for kidnapping and a registered sexual offender, visited the University of California, Berkeley campus looking for a place to hold a special event as part of his â€Å"God’s Desire† program. Garrido believed that angels were communicating with him and had granted him supernatural powers, and he wanted to proselytize on the campus. The UC Berkeley events office and campus police reported him to his parole officer, who asked Garrido to come in for a meeting. He did and brought his wife, Nancy, Jaycee, and Jaycee’s two daughters. (Garrido had repeatedly sexually assaulted Jaycee, who had two children as a consequence.) The police separated Jaycee from Garrido and started questioning her. Jaycee insisted her name was â€Å"Allissa,† and she only admitted her true identity after Garrido confessed to his crimes. By this point, Jaycee had lived with Garrido as â€Å"Allissa† for longer than she had lived with her biological parents. During her questioning at the police station, authorities immediately noticed that Jaycee was displaying symptoms of Stockholm Syndrome. This became even more apparent as more of Jaycee’s story came to light. For instance, as Jaycee got older, Garrido and his wife would take her out into public, including local festivals and fairs. Dugard even helped Garrido run a printing business out of his house. She worked as his graphic designer, answered phone calls and emails, and even met with clients. Despite this, she never made any attempts to escape or reveal her true identity. During an interview with Diane Sawyer for ABC News, Jaycee explained why she never tried to run away and her experience with Stockholm Syndrome. When Sawyer asks Jaycee why she didn’t run, she says, â€Å"in the situation...it wasn’t an option.† She goes on to say that Garrido convinced her that the outside world was dangerous, and that staying with him was the only way to keep herself and her children safe. Sawyer then asks Jaycee if she will ever understand why she didn’t try to leave, and Jaycee responds, â€Å"No. I don’t think so.† Like the Kreditbanken victims, Stockholm Syndrome convinced Jaycee that she was safer staying with her captor than trying to leave. Today, Jaycee uses her experience as a kidnapping victim and trauma survivor to help others who have experienced similar situations. Through her non-profit, the JAYCFoundation, Jaycee works to raise awareness and support for families who have experienced the abduction of a loved one. Now What? If you or someone you know is in a situation like the ones we’ve described above, reach out for help. You can always contact The National Domestic Violence Hotline by phone, text, or web chat for help. Looking for more resources on AP test topics? We’ve got plenty, like a run-down on the different modes of persuasion and a huge list of AP biology study guides! If the term â€Å"AP Test† is no for you, don’t worry! Here’s a primer on AP exams and a breakdown of the average score for each one.

Repositioning Desktop Personal Computers Essay Example | Topics and Well Written Essays - 1250 words

Repositioning Desktop Personal Computers - Essay Example Desktop are more stable computing system (people can use it continuously for twenty four hours without perturbing stability of the system, processing speed and resolution is better than laptops) with respect to laptops and tablets. Companies use desktop as a working tool for employees. Desktop has seen a sudden fall in sales during 2000’s. Sales of personal computer in USA has touched nadir in the last quarter of 2011. Apple has revolutionized the concept of computing system by introducing iPad tablets. Buying behavior of the consumer has changed within last few years. Now they want to purchase on the go computing systems (easy to carry, light weight, systems with up to date applications). Laptops, smart phones and tablets are direct competitors of desktop. Students prefer to carry computer system with them to colleges or schools but they can not carry desktops. Bulky framework of desktop creates problems like lack of flexibility in carrying, lot of power consumption and lot o f space consumption. All these problems are absent in laptops, smart phones and tablets and for this reason young generation prefer them to use over traditional desktops. Repositioning of Desktop Desktop was a popular computing solution among consumers during early 2000’s. Repositioning for a particular brand can be done in nine ways. 1- Companies can increase the relevance of the product among customers, 2- They can increase occasions for use of the product and also need to increase benefits associated with the product, 3- Organization needs to create positioning massage of the product, 4- They need to make the brand more relevant with respect to demand of the customers, 5- The brand should be able to sale itself, 6- The brand should attract new customers, 7- Repositioning technique should make the brand contemporary by adding new features, 8- The brand should be able to differentiate from other competitors, 9- Repositioning should be able to counterbalance changing marketin g equilibrium by using unique selling proposition (Beri, 2007, p.473). Desktop computers need to use expectancy value model to formulate repositioning strategy. In expectancy value model emphasizes on attributes of product. According to this model, buyers assign value point on various attributes of a product and then summarize total points assigned on attributes. They purchase the product has larger sum of value points (FitzGerald, & Arnott, 2000, p.107). Desktop computers need to do real reposition to capture target market. Technical up gradation and addition of new application is required to create real reposition for the product. Companies need to change the design of desktop to attract new customers (Kotler, Haider, & Rein, 2002, p.55). According to the 2010 US Census, 63% of households with income of less than $50,000 have personal computers (desktop and/or laptops); 91% of the households having income of $50,000-$99,999; 96% of households with $100,000-$149,999; 97% of the hou seholds with income of $150,000 and more own personal computers; and, 68% of the households with income not reported have computers. Having children is also a factor to getting personal computers by households. In the same US Census, 84.1% of the households with children 6-17 years old have PCs; 79.3% of households with children not within the 6-17 range own home computers; and, 70.9% of the households

Psychology Essay Example | Topics and Well Written Essays - 500 words - 13

Psychology - Essay Example The first level is self centered reasoning where a child may make a moral decision based on personal likes or dislikes, potential benefit or loss and future expectations. Preschool children or elementary school children may exhibit this level. The second level is based on the needs of the individual where the needs of the individual become important without requiring empathic feelings. Some preschool children and quite a lot of school age children exhibit this level (Eisenberg, 1989). The third level of moral reasoning is based on stereotyped or approval based reasoning in which the child exhibits moral reasoning based on what s/he understands to be the social norm of good and bad. This moral reasoning may also be used to win approval from authority figures and is used by some school age children as well as adolescents. Older school age children and many adolescents jump to the level of empathic reasoning (fourth level) in which the individual can used empathy, the idea of role playing and understanding the position of others to make moral decisions. At this level, they may be aware of the emotional response of doing good things i.e. a positive feeling and not helping others i.e. feeling guilty (Eisenberg, 1989). The fifth and sixth levels are partly internalised principles and strongly internalised principles. Under partly internalised principles the justification for the actions taken by a child are based on internalised values such as privacy, the rights of others, equality etc. and these ideas may not be clearly formed in the mind of the child. This operation level can be observed for a few adults and in some adolescents. With strongly internalised principles, the moral decisions made are always based on feelings that have been strongly internalised such as a need to improve the social conditions, or even the idea of fairness and even handedness. However, such a level is rarely found in young individuals. Overall, I feel that the model

Poetry Essay: Dulce Et Decorum Est :: English Literature

Poetry Essay: Dulce Et Decorum Est Draft Copy The title of Wilfred Owen's famous World War I poem, 'Dulce Et Decorum Est', are the first words of a Latin saying which means, 'It is sweet and Right'. The full saying, which ends the poem, 'Dulce et decorum est // Pro patria mori', means it is sweet and right to die for one's country. This was the saying that was commonly understood and used widely in the propaganda at the beginning of the War. It made war out to be honourable and heroic. Owen shows in this poem, by depicting the horror and cruelty of the War, how far the common belief that war was proud and honourable, was from the truth. In the first stanza we are introduced to the setting of the poem as well as to a few of the horrors of the war. The men are leaving the battlefield and are moving to a place of rest when they are hit by gas filled artillery shells. It gives a description of how fatigued and weary the men were and how badly injured many of them were after spending time in the trenches of the front lines. The image of tiredness and sleep is introduced in the first stanza phrases such as 'Bent-double' (line 1), 'distant rest' (line 4) and 'Men marched asleep' (line 5). The men are so tired they turn their backs on the flares that are sent up to show the bombardiers where to shoot their shells. Another image that Owen uses that appears in the first stanza and is seen through out the poem is how there is a lack of co-ordination and sense. This can be seen by 'Knock-kneed' (line 3), 'limped', 'lame' and 'blind' (line 6) and 'drunk' and 'deaf' (line7). Owen shows how these men's senses had been numbed by the ghastly occurrences in the trenches and how these numbed senses cause the men to not realise they are under attack until it is almost too late. The second stanza describes the dramatic reaction the men have when they realise they have been attacked by gas. The ecstasy of fumbling - shows how desperate the men where to find the odd fitting gas masks, how a mask was the difference between a cruel death and life. Owen compares the unlucky man to someone who has fallen in a fire or pile of lime and is being engulfed by the pain. He is compared to a drowning man; he is drowning in the gas, in the pain of death. The gas is so thick that it takes on a liquid appearance. Poetry Essay: Dulce Et Decorum Est :: English Literature Poetry Essay: Dulce Et Decorum Est Draft Copy The title of Wilfred Owen's famous World War I poem, 'Dulce Et Decorum Est', are the first words of a Latin saying which means, 'It is sweet and Right'. The full saying, which ends the poem, 'Dulce et decorum est // Pro patria mori', means it is sweet and right to die for one's country. This was the saying that was commonly understood and used widely in the propaganda at the beginning of the War. It made war out to be honourable and heroic. Owen shows in this poem, by depicting the horror and cruelty of the War, how far the common belief that war was proud and honourable, was from the truth. In the first stanza we are introduced to the setting of the poem as well as to a few of the horrors of the war. The men are leaving the battlefield and are moving to a place of rest when they are hit by gas filled artillery shells. It gives a description of how fatigued and weary the men were and how badly injured many of them were after spending time in the trenches of the front lines. The image of tiredness and sleep is introduced in the first stanza phrases such as 'Bent-double' (line 1), 'distant rest' (line 4) and 'Men marched asleep' (line 5). The men are so tired they turn their backs on the flares that are sent up to show the bombardiers where to shoot their shells. Another image that Owen uses that appears in the first stanza and is seen through out the poem is how there is a lack of co-ordination and sense. This can be seen by 'Knock-kneed' (line 3), 'limped', 'lame' and 'blind' (line 6) and 'drunk' and 'deaf' (line7). Owen shows how these men's senses had been numbed by the ghastly occurrences in the trenches and how these numbed senses cause the men to not realise they are under attack until it is almost too late. The second stanza describes the dramatic reaction the men have when they realise they have been attacked by gas. The ecstasy of fumbling - shows how desperate the men where to find the odd fitting gas masks, how a mask was the difference between a cruel death and life. Owen compares the unlucky man to someone who has fallen in a fire or pile of lime and is being engulfed by the pain. He is compared to a drowning man; he is drowning in the gas, in the pain of death. The gas is so thick that it takes on a liquid appearance.

Mobile Phone and Broadband Network

StarHub is Singapore's fully-integrated info-communications company, offering a full range of information, communications and entertainment services for both consumer and corporate markets. StarHub operates a HSPA+ mobile network that delivers up to 42Mbps for downlink to complement its nationwide GSM network, and an LTE network that provides connection speeds of up to 75Mbps in key business areas. It also manages an island-wide HFC network that delivers multi-channel pay TV services (including HDTV, Internet TV and on-demand services) as well as ultra-high speed residential broadband services.StarHub operates an extensive fixed business network that provides a wide range of data, voice and wholesale services. Over Singapore’s fibre-based Next Generation Nationwide Broadband Network, StarHub offers a broad range of home and business broadband plans along with a host of advanced media-rich value-added services. Launched in 2000, StarHub has become one of Singapore's most innova tive info-communications providers, and the pioneer in ‘hubbing' – the ability to deliver unique integrated and converged services to all its customers.StarHub, listed on the main board of the Singapore Exchange since October 2004, is a component stock of the Straits Times Index and the MSCI Singapore Free Index. Personal Solutions Mobile * Innovative price plans that include cost-saving features such as Free Incoming Local Calls, Per Second Billing, Flat Roaming Rates, All Day Flat Calling Rate, and Free IDD 018 Calls to 18 destinations * Green Pre-paid service * BlackBerry service, the world's leading secure wireless email platform * Mobile broadband service delivered over StarHub's 4G and 3. 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To find out more, visit  www. pfingo. com Wireless Broadband StarHub Wireless Broadband is available at Suntec Convention Centre and certain areas of Suntec Retail Mall, Singapore Expo, all The Coffee Bean ; Tea Leaf outlets, as well as selected areas in Changi Airport Terminals 1, 2 and 3 * StarHub customers enjoy free wireless broadband access at all StarHub hotspots in Singapore. In addition, they can get free access to [email  protected] services through a Memorandum of Understanding reached between StarHub and QMax Communications. As a pioneer member of the Wireless Broadband Alliance, StarHub together with other member operators, has been driving the adoption of wireless broadb and technologies and services around the world by developing a common commercial, technical and marketing framework for wireless network interoperability. StarHub has enabled wireless broadband international roaming capabilities in Australia, Japan, Malaysia, UK, the USA and more. IDD StarHub's IDD offerings include the StarHub IDD 008 and 018 services, HomeConnect (pre-paid IDD card) and the StarHub International Calling Card (post-paid IDD card) * StarHub's post-paid and pre-paid mobile customers enjoy free IDD 018 calls to 18 selected destinations. Home Solutions Pay TV * StarHub is Singapore's largest pay TV operator, offering a full suite of quality international channels of news, movies, entertainment, sports, music and education, and seven local free-to-air channels. StarHub's digital platform allows customers to enjoy interactive applications and advanced features. * Operates the Digital Terrestrial Television (DTTV) system which offers better quality service and a compellin g selection of channels for corporate customers. * Offers Southeast Asia's first commercial High Definition Television (HDTV) service. Currently carries six HD Channels. * Offers Demand TV and Internet TV Residential Broadband * MaxOnline, StarHub's cable modem service is the first â€Å"always-on†, unlimited broadband Internet access plan launched in Singapore. Offers MaxInfinity fibre broadband service, offering download speeds of up to 1Gbps * Offers Anytime TV which allows customers to access StarHub TV’s on-demand library of more than 6,500 TV shows and movies as well as 12 complimentary pay-TV channels. Residential Voice * Digital Voice, a personal fixed line voice service that is delivered over StarHub's broadband network. * For a low monthly subscription fee, customers can enjoy outgoing/incoming local calls for free. Online Value-added Services Online music portal * Email service * Content filtering service * Online storage service Business Solutions StarHub o ffers a host of services for businesses of every size. 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StarHub’s corporate logo embodies the essence of a Chinese proverb which when translated means â€Å"green is derived from blue and green will become more brilliant than blue†; in short, the pupil shall surpass the teacher. Like the star depicted in its corporate identity, StarHub will adopt a dynamic and forward-looking stance, poised to transform the industry landscape and service mindset in a brand new way. Culture StarHub VisionTo be Singapore’s first choice for information, communications and entertainment services. StarHub Mission To provide every person, home and business in Singapore with world-class multimedia services and content StarHub Core Values ExCITe : Excellence, Creativity, Integrity, Teamwork. 2010 Milestones November * Introduced Singaporeâ€⠄¢s first solar-powered mobile base station enabled vehicle. September * Introduced a broad range of home and business broadband plans along with a host of advanced media-rich value-added services over Singapore’s fibre-based Next Generation Nationwide Broadband Network. July Adopted world’s first smartphone signalling solution to further enhance network performance and improve end-user smartphone experience. * Launched Singapore's first full DRM-free unified music store. May * Made available Singapore’s first microSIM card to support compatible mobile devices. * Scored broadcast rights to the 2010 FIFA World Cup. March * Commenced HSPA+ network upgrade to support up to 42. 2Mbps on the downlink. January * Launched new mobile TV client to enhance TV viewing on smartphones. * Partnered Golden Village and launched Singapore’s first movie-ticketing service on television.

The Success Of The Kong Hong Crossover Film - Free Essay Example

Sample details Pages: 13 Words: 3967 Downloads: 8 Date added: 2017/06/26 Category Statistics Essay Did you like this example? Chapter 1 Introduction Preface The purpose for this dissertation is to discover what is crossover film and what makes the crossover film a success. The cinema of Hong Kong has consider as the pioneer of chinese language movie. Especially between the 1970à ¢Ã¢â€š ¬Ã¢â€ž ¢s à ¢Ã¢â€š ¬Ã¢â‚¬Å" 1990à ¢Ã¢â€š ¬Ã¢â€ž ¢s, most of movie fans will be familiar with names like Bruce Lee, Jackie Chan, John Wu from Hong Kong cinema. Don’t waste time! Our writers will create an original "The Success Of The Kong Hong Crossover Film" essay for you Create order The reason why these movie star become so popular because they produce a lot of martial art film during that time. And then these martial art film brought to the western audiences. In fact, A lot of english speaking country or european start to aware of asian movie in that time. However, the English audiences might consider these martial art film as the crossover film. The English audiences think these martial art film as the crossover probably because these martial art film come with simple plot. The story are quite easy to understand for them such as the good and evil character. So the audienes are not nessesary to understand what the character speaking. Therefore, there is no language boundary when the english audiences watch it. In my research, these martial arts films in the past does not count as the crossover film. I would say the crossover film is relate to several elements which is culture references, co-production, company investment, audiences expectation, marketing, etc. Research background Back to Hong Kong cinema, The cinema of Hong Kong is one of the major movie industry in the Chinese language speaking cinema. Before 1997, Hong Kong was a colony of Britain and therefore Hong Kong had a greater freedom on economic and political than mainland China. Even in film industry, The censorship system in Mainland China have a very strHYPERLINK https://cdict.net/q/straightict rule. à ¢Ã¢â€š ¬Ã…“ Hong Kong filmmakers either steered away from criticzing China or did so in oblique ways à ¢Ã¢â€š ¬Ã…“(Clara Lawà ¢Ã¢â€š ¬Ã¢â€ž ¢s Farewell China,1989. P.127: Bordwell, 2000). Therefore, the Hong Kong film maker can barely sell their film or have to re-produce another verison to adapt the market in China. On the other hand, the America or other Euro country censorship syetem are vary widely than China. And a lot of Hong Kong film producers try to sell their films to some western country. But I think it was not that easy for the very beginning because the western audiences probab ly havenà ¢Ã¢â€š ¬Ã¢â€ž ¢t seen any kind of asian movie before. à ¢Ã¢â€š ¬Ã…“European and North American audiences have never been particularly interested in Asian cinema, Apart from the occasional exotic import and anime.à ¢Ã¢â€š ¬? (D. Bordwell, 2003, P. 83) During the 1970s, the matrial art /Ku fung film become one of the major theme in Hong Kong. à ¢Ã¢â€š ¬Ã…“Golden Harvest was the top studio, signing up Jackie Chan, the kung fu comedy actor-filmmaker who would spend the next twenty years as Asias biggest box office drawà ¢Ã¢â€š ¬? (Chan and Yang, 1998, P.  164à ¢Ã¢â€š ¬Ã¢â‚¬Å"165: Bordwell, 2000). However, during the 1990à ¢Ã¢â€š ¬Ã¢â€ž ¢s. there was a industry crisis because of the Asian financial crisis and also the illegal copy and download over the internet. However, there was a few local film receive a huge success even it was a hard time for film industry by that period. Those are the film that I am going to cover in my research. Chapter 2 What is crossover film? 2.1 Chapter introduction In this chapter, I will be discuss how we define crossover film especially the film made in Hong Kong. Also, Hong Kong produced a lot of martial art or action movie during the late 1980à ¢Ã¢â€š ¬Ã¢â€ž ¢s and early 1900à ¢Ã¢â€š ¬Ã¢â€ž ¢s. And Thatà ¢Ã¢â€š ¬Ã¢â€ž ¢s probably relate to the politcal and society problem. It might be represent the identity of Hong Kong movie as the martial art film from the english audiences. And I want to find out why they have this thought. Apart from these martial art film, do they know other films that made in Hong Kong? 2.2 Hong Kong movie = Ku fung ? The Martial art movie can be chase back to 1930à ¢Ã¢â€š ¬Ã¢â€ž ¢s originally. And the Chinese people called it à ¢Ã¢â€š ¬Ã…“Wuxiaà ¢Ã¢â€š ¬? film, the term à ¢Ã¢â€š ¬Ã…“Wuxiaà ¢Ã¢â€š ¬? is based on some fictional Chinese novel and always use of the old chinese dynasty as the background. The features of these à ¢Ã¢â€š ¬Ã…“Wuxiaà ¢Ã¢â€š ¬? characters always appear with sword as the weapon and come with superpower. The à ¢Ã¢â€š ¬Ã…“Wuxiaà ¢Ã¢â€š ¬? film probably the most popular genre in the early cinema of Mainland China. I think the Chinese audiences need this kind of topic in the cinema such as heroic and myth after the post-war period. However, the chinese government strongly disapprove à ¢Ã¢â€š ¬Ã…“Wuxiaà ¢Ã¢â€š ¬? film in China as the subject matter is over superstition and violence. And some Hong Kong movie producer try to bring action movie to Hong Kong audiences in the late 1930à ¢Ã¢â€š ¬Ã¢â€ž ¢s. The reason is Hong Kong had a superior level of freedom as the social culture and economy development during the colony era. That was the competitive advantage for Hong Kong could produce some action film but Mainland China. à ¢Ã¢â€š ¬Ã…“In the British colony of Hong Kong, which had since 1950à ¢Ã¢â€š ¬Ã¢â€ž ¢s transformed itself from an entreport to an industial city, the 1960à ¢Ã¢â€š ¬Ã¢â€ž ¢s was also a period of rapid economic growth and social turmoilà ¢Ã¢â€š ¬? (Po Shek fu and David Desser, P.71: Cambridge university press, 2000). Therefore, I believe the martial arts movie has became popular start by the late 1960à ¢Ã¢â€š ¬Ã¢â€ž ¢s. The Martial arts movies still feature à ¢Ã¢â€š ¬Ã…“Wuxiaà ¢Ã¢â€š ¬? style in the early Hong Kong cinema. However, there was some significant change in the Hong Kong cinema during the 1970à ¢Ã¢â€š ¬Ã¢â€ž ¢s. I think the first time to allow western audiences to get to know about Hong Kong movies is the master of martial arts Bruce Lee return to Hong Kong cinema. Bruce Lees career achievement as well as cultural aspects of the film have an influence, he not only open the gate for the Chinese to first enter Hollywood, but also created his own philosophy on martial arts Jeet Kune Do. And make Action movies become one of the mainstream genres in Hong Kong. The early co-production with hollywood (Warner Bros) and Hong Kong (Golden Harvest) was à ¢Ã¢â€š ¬Ã…“Enter the Dragonà ¢Ã¢â€š ¬? in 1973. It was also the first time Hong Kong attempt to break into western audiences market. The film combined the traditional Kung fu and James bond action style genres. It wasnà ¢Ã¢â€š ¬Ã¢â€ž ¢t really successful for the first breakthrough with western audiences because Lee dead in 1973. And then the action movie production seem to be lay low for while. This situation change until Golden Harvest studio sign up Jackie Chan as the action movie star. Jackie Chan as early as 1982 when it began to break into the Hollywood market, but he does not run smoothly into the international road. His first foray into the international market film called Cannonball Run. Unfortunately at the box office failure, And then after many years later Jackie took the first Hollywood movie Rush Hour which made him become popular in Hollywood. During the 70à ¢Ã¢â€š ¬Ã¢â€ž ¢s à ¢Ã¢â€š ¬Ã¢â‚¬Å"early 90à ¢Ã¢â€š ¬Ã¢â€ž ¢s, Hong Kong exported a lot of local movie to western country. In my opinon, I think the western audiences probably consider the early Hong Kong action movie as the crossover film. But I think these action movies just the films that made in Hong Kong. Therefore, I m going to look for the real definition for crossover film in next paragraph. 2.3 The definition of crossover film In fact, I canà ¢Ã¢â€š ¬Ã¢â€ž ¢t find any book that mention about the term à ¢Ã¢â€š ¬Ã…“crossover filmà ¢Ã¢â€š ¬? during my research. However, I found some other sourse over the internet to explain what is crossover film. Also I will use my own understanding to outline the definition of crossover film through the research. When I start typing the word à ¢Ã¢â€š ¬Ã…“crossover filmà ¢Ã¢â€š ¬? on google search engine. I found this web blogger called Pardesi over the internet and talk about what he/she thinks about crossover film. This blogger Pardesi make a compare between two successful crossover films which is Crouching Tiger Hidden Dragon and Slumdog Millionaire in the blog entry. Pardesi suggest that the definition of crossover film à ¢Ã¢â€š ¬Ã…“Such films go beyond the traditional markets in the home country, or already exploited by films from the country, and usually end up making a lot of money.à ¢Ã¢â€š ¬? Pardesi, (2010). In my opinion, I think Pardesi only suggest c rossover film more concern by marketing way. However, I believe crossover film can be relate many different elements apart from marketing. Firstly, I think it can separate into two parts which is the crossover film itself and the production. The crossover film itself can develop to culture, actor, and audiences expectation, and narrative structure. And the production element can define as company investment, finanical, special effect, and film location or studio. I think culture represent a lot within the crossover film because it can show some of the local element to western audiences. Also, it probably involve different actor from different coutry or speak different language. And the most important one is audiences expectation, the western audiences might expect to see something where the local film specialize at , or something they probably wont see from the english movie. for example, Martial art, high population or modern city scene. The second part to define crossover film is about production. firstly, it might involve western company to invest Hong Kong movie and re-packaging the film to be come suitable western marketing. Even finanical support is key element as produce a crossover film. Some western film production company might already own their advanced technology to create some imaginary scenes. However, these are just the thoughts come from my research. I will be provide some evidences to proof these elements are relevant. 2.4 Chapter summary This chapter has mainly introduced the theories and article which relevant in this research. It can give some idea to the reader about the crossover film. Also have the primary understanding about the marketing side and production side of the crossover film. In next chapter, I will discuss more about the elements which make the crossover film success. Chapter 3 The Crossover films 3.1 Chapter introduction The purpose of this chapter is to use three significant crossover films as the example. And then I will discuss the key elements which bring them to become sucessfull around the global. The films I will be focus on Kung Fu Hustle(2004), The film saved Hong Kong film industrial during the global economic crisis and the local film industrial decline. The second film I will look at is Rush Hour (1998), see how the western audiences expectation change from crossover film. Finlly, I will discuss how cross-movies in the western region of Hong Kongs success, rather than in Hong Kong by using à ¢Ã¢â€š ¬Ã…“Crouching Tiger, Hidden Dragonà ¢Ã¢â€š ¬? 3.2 Crossover to international à ¢Ã¢â€š ¬Ã…“Stephen Chowà ¢Ã¢â€š ¬? and à ¢Ã¢â€š ¬Ã…“ Kung Fu Hustleà ¢Ã¢â€š ¬? During the late 90à ¢Ã¢â€š ¬Ã¢â€ž ¢s, hong kong movie industrial met a several crisis. The internet technology was developing extremely fast. People start sharing the movie over the internet, or even purchase the illegal movie DVD copies rather than go to the cinema . Some movie production studio find it difficult to maintain the movie production as the box office decline. However, Hong Kong actor Stephen chow seem to be saved this crisis for Hong Kong movie industrial. Hong Kongs population is 7,061,200. As a small population and economic decline region, Some Hong Kong movie studio find it hard to survive. Therefore, they can only rely on producing some low budget film to maintain the business. Nevertheless, the cinema of Hong Kong still find the way to survive from mainland China and international market. Kung Fu Hustle 2004 is a one of the great successful example. The film recieve highly positive result. Before Kung Fu Hustle, there are several film which co-production with Columbria studio. Howeve, these film have failed at the box office because they remain a little local flavour. The western audiences probably more familiar with one of the most popular actor in Hong Kong Stephen Chow. He created his own comedy style on acting called à ¢Ã¢â€š ¬Ã…“Mo lei tauà ¢Ã¢â€š ¬? , this term can be referred to à ¢Ã¢â€š ¬Ã…“Silly talkà ¢Ã¢â€š ¬?. à ¢Ã¢â€š ¬Ã…“During an interview with Stephen Chow for his 2006 Asian Invasion season, the BBCs film critic Jonathan Ross referred to the genre as Silly Talk, a label that Chow was happy to accept.à ¢Ã¢â€š ¬? (Wikipedia. 2011. Mo lei tau), the interview also avalible on YouTube(Asian Invasion Episode 2 Part 2) . Stephen Chow produced the first film à ¢Ã¢â€š ¬Ã…“Shaolin Soccerà ¢Ã¢â€š ¬? which break through the western market. However, the second film Kung Fu Hustle Stephen Chow became an international success. Columbia pictures impressed by stephen previous film Shaolin Soccer and wanted to provide finanical support to Stehpen. As a result, Stehpen came up the new idea on the film Kung Fu Hustle in 2004. Stephen Chow also is an actor himself, he started his acting career from a local television. In early 1990à ¢Ã¢â€š ¬Ã¢â€ž ¢s, he began to making film with his Mo lei tau comedy style. But this kind of acting style only limited to cantonese speakers understanding. Therefore, Stephen tried not to put too much Mo lei tau acting style in Kung Fu Hustle, and used the CGI and pop culture references instead. In addition, Stephen co production with Columbria studio and several film studio in mainland China. In my opinion, I think such as this kind of collaboration with western movie studio is quite benefit to Hong Kong film industrial. The reason is western movie studio has already built up a very mature technique on film production. Also, they developed some advance computer graphic during the editing part. This is a great improvement on visual effect for the Hong Kong film, so the CGI technology can perform the scene that impossible become possible. For example, à ¢Ã¢â€š ¬Ã…“Kung Fu Hustleà ¢Ã¢â€š ¬? refer a lot of superhuman ability combine with martial art. During the interview with BBC, Stephen said this kind of technology did a great help for his film, but he insist to put CGI graphic as the assistant role for the film. I agree what Stephen says because it wonà ¢Ã¢â€š ¬Ã¢â€ž ¢t lose the originality with martial art element. Also, the CGI effect just play a little role that make western audiences easier accept the film rather than produce the stereotype martial art movie. The western audiences probably have seen a lot different martial art film from the past. Furthermore, the Hollywood production system more focus on quality rather than quantity. à ¢Ã¢â€š ¬Ã…“Hollywood directors count themselves lucky to make a film every three yearsà ¢Ã¢â€š ¬Ã‚ ¦Ãƒ ¢Ã¢â€š ¬Ã‚ ¦In the late 1990s Andre Lau( Hong Kong director) was directing as many as 4 films per year.à ¢Ã¢â€š ¬? (David B, P.  117 2003). In such a condition, I think hong kong filmmaker can only produce some low budget film and lack of idea on creating some stunning story. Therefore, I reckon the collaboration between western film studio and Hong Kong film maker which is quite benefit to Hong Kong film to break through western market. Apart from big company support, Stephen Chow also wanted try some new element into the film such as put a several American pop culture in different scenes. These references including Road Runner à ¢Ã¢â€š ¬Ã…“Wile E. Coyote and Road Runnerà ¢Ã¢â€š ¬? , and a dance scene which refer to Amercian musical à ¢Ã¢â€š ¬Ã…“West side storyà ¢Ã¢â€š ¬? and the horror scene à ¢Ã¢â€š ¬Ã…“The Shingingà ¢Ã¢â€š ¬?1908. When I look at some Hong Kong movie in the past, I think they cant become mainstream movie in western country because the film is more focus on local audiences taste. Only some of the popular martial art or action movie can be sell to western. Beside, the western audiences only understand because these film content involve simple plot such as bad character get beat up by the good character. It might be already label that Hong Kong movie represent martial art or kung fu in some sence. Therefore, I believe the way to make western audiences re-consider Hong Kong movie not just another martial art or action film could be consider to put some western pop culture. This is not only reduce the language boundry, but also bring up some new element to the film. 3.3 Cultural cross-over movieà ¢Ã¢â€š ¬? Rush Hourà ¢Ã¢â€š ¬? Even Stephen Chowà ¢Ã¢â€š ¬Ã¢â€ž ¢s gain a hugh success from western market. There is still some movie fans not quite fancy foreign film. Especially the film is based on chinese language. According to producer Terence Chang à ¢Ã¢â€š ¬Ã…“A lot of Hong Kong films have things that I think American audiences canà ¢Ã¢â€š ¬Ã¢â€ž ¢t accept.à ¢Ã¢â€š ¬? D. Bordwell (P.19 ,2000) In 1998, Jackie Chan finally arrived to Hollywood. Chanà ¢Ã¢â€š ¬Ã¢â€ž ¢s à ¢Ã¢â€š ¬Ã…“Rush hourà ¢Ã¢â€š ¬? series become at Rank #1 at the North American box-office with a weekend gross of $33 million in September 1998 (figure on Appendix -1) Which is unexpected result for foreign film. I would say the Martial Art combine buddy movie opened the gate for crossover film. The movie applied the buddy film style like the hollywood film normally use. In Rush Hour, it is about a Chinese inspector and American detective. The character James Carter (Chris Tucker) keeps the American comedy element in the film, and Inspector Lee (Jackie Chan) remain his action scenes throughout the movie. I think the audiences have never seen the buddy film like this before which bring a lot of new visual elements to them. However, Jackie Chan reveal on his official blog that he didnt really like the film and he felt very disappointed. Chan Said, à ¢Ã¢â€š ¬Ã…“I felt the style of action was too Americanized and I didnà ¢Ã¢â€š ¬Ã¢â€ž ¢t understand the American humor.à ¢Ã¢â€š ¬? Which I consider the film might suitable for western audiences rather than local audiences. In à ¢Ã¢â€š ¬Ã…“Rush Hourà ¢Ã¢â€š ¬? series, there are a lot of jokes which based on minority racial stereotypes in Amer ican society. I think that makes the film easier to get accepted by majority white audiences. The two character portray totally different personality. Carter portray as a loud, speak with high pitch, impulsive, childish Black man who often causing trouble, Lee is a respectful Asian man who good at Kung Fu. According to King (2002) points out that à ¢Ã¢â€š ¬Ã‹Å"à ¢Ã¢â€š ¬Ã‹Å"reduce any threat created by the spectacle of a seemingly dominating Black characterà ¢Ã¢â€š ¬Ã¢â€ž ¢Ãƒ ¢Ã¢â€š ¬Ã¢â€ž ¢ (p. 149).These features of both characters become likeable for the western audiences. In Bar fighting scene, Lee says à ¢Ã¢â€š ¬Ã…“Whats up my Niggerà ¢Ã¢â€š ¬? to the bartender because Carter said that to the African customer. But Lee doesnà ¢Ã¢â€š ¬Ã¢â€ž ¢t understand the wordà ¢Ã¢â€š ¬?Niggerà ¢Ã¢â€š ¬? is a racist word to African. I think the director uses quite a lot this kind of jokes in the film to reflect the culture differences from society. In contrast with Jackie Chanà ¢Ã¢â€š ¬Ã¢â€ž ¢s earlier Hong Kong action movie. He represented as a masculinity and tough character most of the time. But in à ¢Ã¢â€š ¬Ã…“Rush Hourà ¢Ã¢â€š ¬?, character Lee who always wanted help the FBI to solve the case. And the FBI try to use character Carter to send Lee away. Altough White Character involved small role in this film. I think the director still want White character to portray as important position in the film. 3.4 Crouching Tiger, Hidden Dragon (Crouching Tiger was very well received in the Western world, however Crouching Tiger was widely dismissed as just another wuxia film among many others in asia.) Chapter 4 Research Methodology 4.1 Chapter introduction The purpose of the primary research provide the basic level of understanding for the researcher. I will use questionnaire during the primary research. The questionnaire will be conducted ten questions which indicate the western audiences interest on crossover film. The result will indicate the future trends for crossover film. This chapter will be described how the methodology adopt and analysis research question. Furthermore, this chapter is going to explain the research design, research location, sampling design and data collection process, survey instrument, and ethical issue. 4.2 Research processes Primary research: Survey ÃÆ'  Questionnaire by Student/Internet users ÃÆ'  Collect from: Northampton/ linking the questionnaire on facebook ÃÆ'  Analyze results In primary research, it will be carry out a questionnaire research. According to Ticehurst, Gregory W (2000: P.135) defined a questionnaire survey is the way to collect information from individual by using a set of question. Therefore, I believe the first to do is focus on what type of information and respondent are looking for. Then start to think about an appropriate questions for the research. The primary research will only take 10% part of this dissertation. The reason is I am hoping to get about medium size of response rate from that. Here is the brief descript type of questionnaire survey will be use: Type of questionnaire Cost Length of questionnaire Response rate Street/University/Internet Low Short Medium 4.3 Research Location The questionnaire survey is taken place from the three locations in Northampton which are the Abbeyfield school , Northampton town center and University of Northampton. The reason of chosen these place to research because it can save time to traveling different places which far way from Northampton. Further more, it can widely spread collecting the data over the internet. 4.4 Survey Instrument Development The questionnaire (Appendix). There are 3 parts of the questionnaire. The first part is about personal information such as age, gender. this is designed to collect the demographic data of the respondents. Then, the second part is about the respondentà ¢Ã¢â€š ¬Ã¢â€ž ¢s knowledge on crossover film. That is to collect the information about how much respondent know about crossover film. Finally, the third part is about respondentà ¢Ã¢â€š ¬Ã¢â€ž ¢s interest on crossover film. And that is designed to what sort element the respondent like so I can provide the recommendation for the future crossover film. 4.5 Ethic Issue in Research The protection for the respondentà ¢Ã¢â€š ¬Ã¢â€ž ¢s information is one of the most important thing in the research. In à ¢Ã¢â€š ¬Ã…“Doing your research projectà ¢Ã¢â€š ¬?, According to the Judith Bell (2005: 51) the researcher can follow two things to maintain the respondentà ¢Ã¢â€š ¬Ã¢â€ž ¢s right when they carry out a research. 1.) Keep the participant innominate. 2.) Treat all the information as confidential file which from the respondent. However, My questionnaire is based on personal opinion rather than personal details. Therefore, I suppose my research will not meet any ethical issue. Chapter 5 Conclusion 5.1 The future for the crossover film 5.2 Conclusion Appendix Part -1 Rush Hour Domestic Total Gross: $141,186,864 Distributor: New Line Release Date: September 18, 1998 Genre: Action Comedy Runtime: 1 hrs. 37 min. MPAA Rating: PG-13 Production Budget: $33 million 1998 Date (click to view chart) Rank Weekend Gross % Change Theaters Change / Avg. Gross-to-Date Week # Sep 18à ¢Ã¢â€š ¬Ã¢â‚¬Å"20 1 $33,001,803 2,638 $12,510 $33,001,803 1 Sep 25à ¢Ã¢â€š ¬Ã¢â‚¬Å"27 1 $21,202,929 -35.8% 2,643 +5 $8,022 $64,037,138 2 Oct 2à ¢Ã¢â€š ¬Ã¢â‚¬Å"4 3 $14,492,122 -31.7% 2,701 +58 $5,365 $84,014,663 3 Oct 9à ¢Ã¢â€š ¬Ã¢â‚¬Å"11 2 $11,105,465 -23.4% 2,701 $4,111 $98,382,886 4 Oct 16à ¢Ã¢â€š ¬Ã¢â‚¬Å"18 4 $8,247,411 -25.7% 2,724 +23 $3,027 $109,911,590 5 Oct 23à ¢Ã¢â€š ¬Ã¢â‚¬Å"25 6 $5,860,347 -28.9% 2,602 -122 $2,252 $117,284,969 6 Oct 30à ¢Ã¢â€š ¬Ã¢â‚¬Å"Nov 1 6 $3,799,380 -35.2% 2,402 -200 $1,581 $122,428,446 7 Nov 6à ¢Ã¢â€š ¬Ã¢â‚¬Å"8 10 $3,322,424 -12.6% 2,043 -359 $1,626 $127,044,896 8 Nov 13à ¢Ã¢â€š ¬Ã¢â‚¬Å"15 11 $1,866,524 -43.8% 1,615 -428 $1,155 $129,829,673 9 Sources from: https://boxofficemojo.com/movies/?id=rushhour.htm Part -2 I am a student from University of Northampton. I am going to conduct a survey about the Crossover film that made in Hong Kong. I would be grateful if you could finish this questionnaire. Your honest view is taken with highly to appreciate. All the information in the questionnaire will be kept confidential for analysis only. Thank you very much. (Please tick the appropriate box) Gender à ¢Ã¢â‚¬â€œÃ‚ ¡ Male à ¢Ã¢â‚¬â€œÃ‚ ¡ Female Age à ¢Ã¢â‚¬â€œÃ‚ ¡ 15 ~ 25 à ¢Ã¢â‚¬â€œÃ‚ ¡ 25 ~ 35 à ¢Ã¢â‚¬â€œÃ‚ ¡ 35~ 45 à ¢Ã¢â‚¬â€œÃ‚ ¡ 45 ~ above Do you know any of these asian movie stars from below? à ¢Ã¢â‚¬â€œÃ‚ ¡ Jackie Chan à ¢Ã¢â‚¬â€œÃ‚ ¡ Bruce Lee à ¢Ã¢â‚¬â€œÃ‚ ¡ Jet Li à ¢Ã¢â‚¬â€œÃ‚ ¡ Stephen Chow à ¢Ã¢â‚¬â€œÃ‚ ¡ Andy Lau à ¢Ã¢â‚¬â€œÃ‚ ¡ Tony Leung à ¢Ã¢â‚¬â€œÃ‚ ¡ Other ________________ Have you ever watched any other films that has been made in Hong Kong? à ¢Ã¢â‚¬â€œÃ‚ ¡ Yes à ¢Ã¢â‚¬â€œÃ‚ ¡ No à ¢Ã¢â‚¬â€œÃ‚ ¡ Not sure if the film is made in Hong Kong 5. How often do you watch Hong Kong movies? à ¢Ã¢â‚¬â€œÃ‚ ¡ Daily à ¢Ã¢â‚¬â€œÃ‚ ¡ Weekly à ¢Ã¢â‚¬â€œÃ‚ ¡ Monthly à ¢Ã¢â‚¬â€œÃ‚ ¡ Occasionally 6. Do you think Hong Kong movies representing martial arts? à ¢Ã¢â‚¬â€œÃ‚ ¡ Yes à ¢Ã¢â‚¬â€œÃ‚ ¡ No à ¢Ã¢â‚¬â€œÃ‚ ¡ Not sure Do you understand what the story is about when you watch crossover films? If the film is using original Chinese language, just subtitles. (such as these films for example) Shaolin soccer, kung fu hustle, Internal affairs, In the mood for love à ¢Ã¢â‚¬â€œÃ‚ ¡Yes à ¢Ã¢â‚¬â€œÃ‚ ¡No 8. Do you prefer to see the actor you familiar with from Hong Kong movie? à ¢Ã¢â‚¬â€œÃ‚ ¡Yes à ¢Ã¢â‚¬â€œÃ‚ ¡ No What sort of things do you expect to see when you watch a Hong Kong movie? à ¢Ã¢â‚¬â€œÃ‚ ¡Kung Fu fighting à ¢Ã¢â‚¬â€œÃ‚ ¡Action movie star à ¢Ã¢â‚¬â€œÃ‚ ¡Local culture à ¢Ã¢â‚¬â€œÃ‚ ¡Comedy Would you recommend friends to watch film that made in Hong Kong? à ¢Ã¢â‚¬â€œÃ‚ ¡Yes à ¢Ã¢â‚¬â€œÃ‚ ¡No